My work is about following each piece and being intuitively
open to an unspoken dialogue that spans a breath of choices and unknown exit points.

For me being an artist is an act of prosaic looking that feeds making for heterogeneous artefacts that confront the real world. I see my work as an anthology of objects, each being a unique incomplete tangible question that collects personal provenance. What stimulates my work and research is the ongoing amassments of stuff I collect and own. Obsessions happen without acknowledgement and my inventory shows no boundaries to objects, just an attraction that I find it hard to explain other than: we find each-other.



Saturday, 26 March 2016

Personal Provenance

a project revisiting turning points of my creativity. making pieces that can act as collectors, adding and amassing sentimental objects. questioning ownership and transition of making and the importance of nominating from personal archives.





working from objects in jars. learning from and using.
 
experimental casting
badges to collect. as part of kits...
 
jar finds pins.





works in progress: material thinking.
 
elevating the mundane moments.

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