My practice is interdisciplinary and generative in results often with intimate sculptures and object installations. I am interested in objects that synergise intimacies with the body and yearn for completeness within absents and separation. I am motivated by the differences within my practice and how works can become questioned and altered by engagement and evoking exploratory understandings.

My research unfolds metaphysical values that converge ideas around the intent of magic on material thinking and speculative folklore. This is a continual investment of interest and development. These values are exposed, compressed and fabulised within working methodologies that collectively pull together transitionary states, and confessions of experience.




Saturday 26 March 2016

Personal Provenance

a project revisiting turning points of my creativity. making pieces that can act as collectors, adding and amassing sentimental objects. questioning ownership and transition of making and the importance of nominating from personal archives.





working from objects in jars. learning from and using.
 
experimental casting
badges to collect. as part of kits...
 
jar finds pins.





works in progress: material thinking.
 
elevating the mundane moments.
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