My practice is interdisciplinary and generative in results often with intimate sculptures and object installations. I am interested in objects that synergise intimacies with the body and yearn for completeness within absents and separation. I am motivated by the differences within my practice and how works can become questioned and altered by engagement and evoking exploratory understandings.

My research unfolds metaphysical values that converge ideas around the intent of magic on material thinking and speculative folklore. This is a continual investment of interest and development. These values are exposed, compressed and fabulised within working methodologies that collectively pull together transitionary states, and confessions of experience.




Saturday, 15 July 2017

A History of Touch solo exhibition

Mark Mcleish
A History of Touch
This body of work assembles a collection of new object based installation and sculpture that questions the presumptuous act of knowing through internalisation. By placing objects to be seen I proscribe to aggravate logic in the reading and propose equalised values of just how do we generate meaning?
By reducing thinking to be stabilised in a physical space with objects, I compress intersubjectivity by initiating a version of completeness. This is preserved by separation within exit points of making. What do these objects continue to mean? This is a question I will never stop asking as this is when a transference takes place.
This exhibition formalises a metaphysical approach by turning objects into thought and vice-versa. A confession of experience retold in a broken miss-spelt anthology of objects.
                                                                          
                                   Abbi Turner: assistant curator and studio assistant

 
 




 
 

 












 
 
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