a research tool asking participants to nominate an object that says something about their week with no annotation. this strengthened my research into the reading of objects and how this I a foundation to my working practice. these objects once documented were then wrapped in a copper skin and sent back out at random, creating a surface that could collect memory through degrade of materials.
My work is about following each piece and being intuitively
open to an unspoken dialogue that spans a breath of choices and unknown exit points.
For me being an artist is an act of prosaic looking that feeds making for heterogeneous artefacts that confront the real world. I see my work as an anthology of objects, each being a unique incomplete tangible question that collects personal provenance. What stimulates my work and research is the ongoing amassments of stuff I collect and own. Obsessions happen without acknowledgement and my inventory shows no boundaries to objects, just an attraction that I find it hard to explain other than: we find each-other.