My work is about following each piece and being intuitively
open to an unspoken dialogue that spans a breath of choices and unknown exit points.

For me being an artist is an act of prosaic looking that feeds making for heterogeneous artefacts that confront the real world. I see my work as an anthology of objects, each being a unique incomplete tangible question that collects personal provenance. What stimulates my work and research is the ongoing amassments of stuff I collect and own. Obsessions happen without acknowledgement and my inventory shows no boundaries to objects, just an attraction that I find it hard to explain other than: we find each-other.



Friday, 6 November 2015

the same but differnt; the locket a surface treatment

my investigations into ideas of memory and objects and how we use things to document our experience has led no a number of experimental works looking at surface treatments. how when worn items can change thus collecting memory. this is a re-thinking of the idea of the traditional locket.

the kiss locket
 

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