My practice is interdisciplinary and generative in results often with intimate sculptures and object installations. I am interested in objects that synergise intimacies with the body and yearn for completeness within absents and separation. I am motivated by the differences within my practice and how works can become questioned and altered by engagement and evoking exploratory understandings.

My research unfolds metaphysical values that converge ideas around the intent of magic on material thinking and speculative folklore. This is a continual investment of interest and development. These values are exposed, compressed and fabulised within working methodologies that collectively pull together transitionary states, and confessions of experience.




Monday 2 August 2010

unforgettable love for a boy called Pan

As a child the story of Peter Pan captivated my heart and I knew even so young this will remain evergreen. Inspiration for all my work developed from the narrative interplay of imposed stories and references given to objects, for example the thimble and acorn exchanged as a kiss by Peter and Wendy.


Objects used in a mundane fashion to elevate and capture every day implications strengthen my outlook for creativity; a needle and thread used to re-sew a shadow, a broken time piece defines adulthood and a spoon intended for medicine.

My work in turn laced with influence and the notion of memories, as in Neverland one will never grow up, but can also forget ones past. It is important for me to document and preserve the fleeting moments capture by life. Something we all do as humans is invest a dialog to inanimate objects; ‘this is a beach pebble found on a family holiday when we all got stuck in sand and used drift wood to dig our selves out’, to anyone else its just another rock.

The memory aids I fabricate sustain time sometimes of a lost boy sometimes happy thoughts but I know this ‘to live will be an awfully big adventure’…

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